America’s unmatched global-strike capabilities will lead most other remaining states to acquiesce to U.S. The United States and the other remaining major powers will protect themselves through indiscriminate force - quite possibly including nuclear strikes - to prevent undead mass migration from overrun regions into their territories. power.Īs Drezner suggests, "the strong will do what they can and the weak must suffer devouring by reanimated, ravenous corpses." Those (re)emerging powers with relatively low state capacity - such as Brazil, Russia, and India - will soon succumb to the flesh-eating horde. In the case of a zombie plague, the most likely outcome, for several reasons, is the reassertion of U.S. He thus pays inadequate attention to the most likely result of a zombie apocalypse: the re-emergence of empires as the dominant form of global organization.Ī zombie apocalypse would most certainly lead to profound transformations in the current order, but in ways consistent with hegemonic-order theory, which sees the rise and fall of dominant powers as the most common pattern in world politics. Aside from a certain character’s final moment, that some feel could have been avoided/was needless, there’s nothing bad to say about this movie.In his courageous attempt to bring rigor to our understanding of the zombie threat, Daniel Drezner commits the common error of reducing realism to its balance-of-power variant (" Night of the Living Wonks," July/August 2010). And the core story beats provide enough reasons to care about any of them. Well-acted heroes and villains populate the movie. That said, what really moves things forward is the cast. The zombies are always perceived as a real threat. Train to Busan’s practical effects and CGI mesh well together. The way they smash through obstacles and each other in order to attack their prey reflects how dangerous that can be the protagonists can seemingly succumb to the horde at any time. The film’s fast-moving zombies provide plenty of scares. There’s humor but only enough to offer a bit of levity before the next wave of doom hits. The premise is grounded in reality that not only comments on society as a whole but also on certain dysfunctional family dynamics. Train to Busan somehow encapsulates most, if not all of the things that make a great zombie movie. Note: We've included “infected” centered movies as they still reflect the original concept of a zombie being a person (undead or otherwise) that has no will of their own/is a slave to either a person or their impulses. Or at the very least, will elicit strong debates from fellow zombie fans. That said, the movies included all bring something valuable to the undead table. A difficult list to make for sure, considering the years of content one could sift through. Which is why we believe the best zombie movies, like most horror, utilizes that notion to tell interesting stories about humanity.īelow are the 15 best zombie movies of all time. What's our motivation to move forward despite the sheer hopelessness of the situation? That’s something to ponder. Even if we are, surviving a given moment might not be enough. Most of us wouldn't be able to handle the trauma associated with dispatching a reanimated loved one. That's disturbing enough, before ever getting into the whole "being eaten alive" deal. Early encounters would most certainly be with people we once knew. Zombies, however, pose a unique psychological threat. Aliens, Kaiju, any sort of cosmic being-in terms of pure might and destructive scale-there are plenty of worse offenders. The zombie has to be one of the scariest monsters ever created but not so much for its solo efforts as a villain.
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